Archive | May, 2012

The Bachelorette S8E3 with Emily Maynard

31 May

Emily Maynard, 26 — single mama and Children’s Hospital Event Planner

The beautiful Emily Maynard, who’s good heart and tragic story caught our attention on Brad’s season of the Bachelor is back in this season’s The Bachelorette. To find out who went home and what happened on the group dates with this hot-mama check out my recap on  : .

Thanks for reading, and feel free to leave comments!

For updates on new recaps and reviews, follow me on twitter @RebeccaLamarche

❤ RL 


Like: The Twilight Saga: Breaking Dawn – Part 1

16 May

click image to link to Breaking Dawn p1’s IMDB page

Acting Chops:

I’ve seen the acting qualities of the cast come a long way as they find their groove together and just develop as actors. In particular I commend Kristen Stewart and Taylor Lautner.  They have really progressed with their acting.

Kristen Stewart:

In the first few movies I really was bothered by Stewart’s acting chops. And yes, I had the bar high from reading the books like a fiend, but really I should be allowed to have the bar high for such a high profile movie. I found her portrayal of Balla as predominantly awkward instead of unsure.  The negatives weren’t balanced with Bella’s other positive qualities (like … hmm okay she was kind of annoying in the books to).  Anyways, to me it came across as if Stewart used to play Bella as a generality “awkward” instead of playing her with specificities. On top of this, her facial expressions were an ever constant lips-separated gaze / pout. Finally I really could not stand her vocals. I just have had a hard time getting past them. She grunts and moans and almost pants throughout the first film. I actually never realized how much Stewart’s voice hindered her performance until I watched the first movie in French; watching it in French made her performance far more enjoyable because there wasn’t all of that unnecessary breath work. 

In this movie however, she’s found her game. She’s less general, and has more intensions in her scenes (i.e. when she chooses to call Rosalie when Edward gets out of the car, you could see her thinking things through). Maybe it’s partially because her character has just developed more, she’s willing to fight against Edward for something she actually wants that doesn’t fully involve him.

… I still can’t get over that she cries over not getting laid, but that’s not Stewart’s fault, it’s the scripts. Also, I still don’t like her and Pattinson’s kissing scenes. They aren’t passionate, they don’t make me want to smooch someone, they’re just kind of uncomfortable to watch.

Taylor Lautner: I have never seen Lautner as a stronger actor throughout these films. Until now. It’s his little expressions that steal the scenes. His looks of poorly disguised disgust as Bella scarfs down some blood seem genuine and make the act that much more believable. His mini snarky look when he’s thinking that the foetus probably wants to eat someone is telling before Pattinson’s explanatory line even comes.
Bella’s Wedding Dress

the back of this dress is stunning, and perhaps reveals a bit of foreshadowing…

I thought that the wedding dress chosen was perfectly suited for Bella’s character. It fit Stewart perfectly and was sexy while still modest. The only thing that initially irked me is that it is such a mature style for someone who is still a teenager. But then I realized that is a reflection of Bella’s character who was always mature for her age (well at least compared to the other teens in Forks).

Make up

I hugely applauded the makeup department. I don’t know how much of Bella’s

the Makeup Department also skilfully created mystically beautiful creatures

transformation was computer generated but there were definite makeup components that need to be credited. Bella’s face looked sunken and sullen. Her chest bones were shadowed to show a cavernous form instead of her usual smooth fleshy build. Finally, her spine was exposed and protruding (reminiscent of  Lady Gaga’s Bad Romance music video) – again I don’t know if this was make up or CGI, but I would guess a minimum of both. Another interesting choice done by the Makeup Department was the specific decision to hire a contact lens technician—this made the vampire eyes believable, frightening, and beautiful in their own rights.

Camera movement

The camera is more kinetic in this film than others. Especially in the final scene where it swoops down along Bella’s body and creeps up to her face. We are in a tight close shot before her red-eyes pop open. The camera’s movements added tension, and even suspense, to the scene. It was silent (obviously) but incredibly powerful.

On the whole, I thought that the wolfy scenes were handled pretty well. But the one scene where (spoiler) Jacob rebels against Sam, “I will not! I am the grandson of a Chief…”, was just so aerosol-cheese-bad) that I actually had to pause and look away from the screen while I quietly laughed.


As Edward’s venom spreads throughout Bella’s body we get a CGI transformation. Kristen goes from a corps to an instant jealousy-inducing beauty.

While we’re talking about the wolves though, let’s give some gentle props to the CGI people, I loved when the wolves snarled, the raising of the skin on either sides of their noses was a realistic touch.

Another thumbs up to the CGI team is during Bella’s vampire transformation. I liked the scene where the venom started to spread through Bella’s body. Furthering this, I liked how once it was going through we saw her hair colour revive, her flesh refill itself, her makeup intensify, and the shadows on her face recede – nicely done!

Give me a little more Continuity

Bella’s body is wasting away yet  and she turns into somewhat of a skelator. Yet her engagement and wedding bands stay snugly on her finger…

Eye Candy

Foy: this 12-year-old is a knock out already. Watch out.

Baby baby baby… So in no particular order:

Taylor Lautner – opening few seconds and BOOM no shirt. They really were anxious to get that out there.

Robert Pattinson – okay there’s a whole gaggle of girls out there as you read who are just hacking away at their computers trying to hunt Edward Rob down.

Kellan Lutz – If I need to explain this or even comment more, you should probably stop reading this blog (only don’t).

Ashley Greene – “that chick from twilight” when coming from the lips of a guy, I am learning, usually does not refer to Kristen Stewart. They love her, and you know what, we all should! Besides the fact that I love how she plays Alice, she’s gorgeous. Koodos to her all around. Maybe it’s the way her eyes twinkle (Greene wears lash extensions), or the overall symmetry of her face; but she’s quickly becoming a much talked about actress.

Mackenzie Foy – the girl who’s the teen of Renesmee.  She is a natural beauty. Even though she was only in frame for a few seconds, she left a startling impact.

Kristen Stewart– both naturally beautiful (pre-knocked up Bella) and mystically beautiful (vampire transformation Bella).  Stewart is beautiful throughout all of the films, she really plays up that mysterious outsider; but when she begins her transformation into vampirhood she becomes painfully beautiful (watch out Rosalie, there’s a new beauty Queen in town).

Stewart is achingly beautiful


Dislike: New Year’s Eve

16 May

18 Stars, and yet…

A slow start…. And a slow run

NEW YEAR’S EVE walked the marathon. The movie never really took off. With over 16 big name stars, I would have liked to expect a great film. Unfortunately NEW YEAR’S EVE really fell through for me.  I almost felt that, on the most part, because none of the stars were the “main character” they all just sort of showed up and winged it and that was that. The exception to this was Hilary Swank and Robert De Niro.

Swank was very compelling on screen.  There is just something about her eyes that captivate me. I just get the feeling that her mind didn’t stop and that her character, Clair Morgan, was always trying to control her feelings but they were always just pushing through.

Swank & De Niro, strongest on set

De Niro plays a cancer dying patient who has refused treatment and who is “living on borrowed time”.  He has lived a selfish life and has pushed his loved ones away from him, as a result he is alone and his last wish is to live till midnight and watch the Ball Drop from the Hospital roof. For a person as alive as De Niro I was impressed by how genuinely frail he seemed. In one scene he’s going through a slight delirium in which he confuses Nurse Aimee (Halle Berry) for his daughter and is trying to fix their relationship.

The final interaction between Swank and De Niro was so genuinely heart warming that I couldn’t help but cry a little in the cinema. In a film where character development is limited, and where each story line only gets so much time on screen, I was incredibly impressed by how moving their reunion was. Acting wise, their moments together were the best of the film.

Fall through

Josh Duhamel’s big speech comes up. It’s been one of his two big deals throughout the movie, he hasn’t even written anything to say for this big galla, it’s going to come from the heart. I wanted to, I really wanted to feel it with him – but I just couldn’t. He starts chocking up and addressing his dead father and, honestly, I felt nothing. It just seemed so random and out of place. There was no back story ever given, I don’t even think they mentioned him before the speech.

Duhamel’s speech and that bloody dog…. epic fails.

At this same Gala his mother’s giving an initial speech before Duhamel’s character even arrives. She’s in her fancy floor length evening dress holding what looks like a miniature white poodle (some small white curly haired shaven dog).  Here the continuity is completely off! Every time the camera cuts to a different view the dog’s position moves from hanging over her shoulder  to hanging over her wrist (almost like a purse) …. PEOPLE GET WITH THE PROGRAM. … Really it was just kind of laughable.

Favourite story line

Efron and Pfeiffer stole the show

The interaction between Paul (Zac Efron) and Ingrid (Michelle Pfeiffer) was your classic Holiday feel-good. Basically, Ingrid is a middle aged woman who struggles with a self confidence / image complex, and who we get the impression has never really lived her life. As a result she’s starting her little midlife crisis and quits her job – the first thing on her list of new year’s resolutions. Ingrid however has Tickets to the a swanky masque Gala and bribes Paul with them – if he can creatively complete all of the crazy wishes on her lists that day he can have the tickets for the night.  Efron and Pfeiffer have a really enduring, non romantic, chemistry.  But what I have a hard time believing is that Paul would continue to try and help Ingrid complete her list after he was already given the tickets. Regardless, I found their story line adorable and very endearing. It gave you the “I know this would only happen in a Rom Com but there’s a romantic in me so I’m going to secretly dream of a version of this happening to me” feeling.  HA!

Best part of the film

Honestly, the most enjoyable part of the film was at the very.  Literally, all of the story lines had been resolved and it was just different

Efrona and Pfeiffer dancing

clips of the characters living their ending on the New Year.  Mainly this involved Zac Efron and Michelle Pfeiffer dancing all goofy at the ball; what was also fun were the snippets of Bloopers in between the different clips.  It was a really cute way to end the film— but really how sad is it that that was the most enjoyable part? Pretty disappointing for such a star studded cast.